Photo: Sang Tae Kim, Haegue Yang. If they are meant to suggest doors, where are they and where might they lead? Courtesy of Galerie Barbara Wien, Berlin. Haegue Yang: ETA 1994–2018, 2018 Wolfgang Hahn Prize, ed. Neue Luxury • Art • News •, Neue Luxury • Art • News •, Neue Luxury • Art • Feature • BY Neue Luxury. This autumn Tate St Ives will stage Strange Attractors, the UK’s largest exhibition to date by celebrated South Korean artist Haegue Yang. As a reminder of the unpredictability of life, Yang has stuck an assortment of square wooden boards on to this wallpaper, which she apparently prepares with a thin layer of varnish in her studio, and then leaves out to attract whatever dust, fragments or leaves might be swirling around. The paper collage series Trustworthies will be installed on the blank walls and the expansive wallpaper Non-Linear and Non-Periodic Dynamics will host the small-scaled Lacquer Paintings. Artificial straw, powder-coated steel frame, casters, plastic raffia string, artificial plants. Why so many of them? | Tate Images. Yang is renowned for creating immersive environments from a diverse range of materials. It will be accompanied by a catalogue published by Tate Publishing and designed by Berlin-based Studio Manuel Raeder, as well as a programme of talks and events in the gallery. Created specifically for the digital space, the exhibition confronts the realities and tensions between our private selves and our online personas. I never stop examining. Haegue Yang Tate St Ives. Arthur Lanyon for Private Client, Oxford 2019. It will be accompanied by a catalogue published by Tate Publishing and designed by Berlin-based Studio Manuel Raeder, as well as a programme of talks and events in the gallery. Her sculptures and installations often use industrially made objects, interwoven with labour-intensive and craft-based processes. Hague Yang often makes work using everyday domestic items, transforming them in extraordinary ways. Photo: Chunho An. Marc and Annette Kemmler Collection. We proudly continue to support artistic ventures focusing on the exchange of ideas and experiences through a series of global art projects. Their hollow centres, a tribute to Hepworth’s sculptural signature, erupt with fluffy black synthetic straw, giving them a flamboyant, feminine flourish. Haegue Yang, Installation view of The Great Acceleration, Taipei Biennial 2014, Taiwan, 2014. Yang will transform these two spaces into an open-ended exploration of geometry, abstraction and the aftermath of modernism. We proudly continue to support artistic ventures focusing on the exchange of ideas and experiences through a series of global art projects. ... tate liverpool biennial - liverpool july 14 - october 28, 2018 Yang’s practice spans a wide range of media, from paper collage to performative sculpture and large-scale multi-sensorial installation, often featuring everyday objects, in … Haegue Yang was born in 1971 in Seoul, South Korea and currently lives and works between Berlin and Seoul. Haegue Yang 양혜규 梁慧圭 / Liverpool Biennial 2018 309 views 7 months ago Installation view of Beautiful world, where are you?, Liverpool Biennial, Tate Liverpool, 2018 Major exhibition of existing and new work by South Korean artist Haegue Yang, renowned for her vast and non-binary artistic languages.The materiality and aesthetics of her work are derived from her inventive methods, from using industrial and everyday materials to labour-intensive and craft-based procedures that create creature-like sculptures. Yang’s choice highlights the unique sculptural possibilities of these ordinary window coverings. The materiality and aesthetics of her work are derived from her inventive methods, from using industrial and everyday materials to labour-intensive and craft-based procedures that create creature-like sculptures. Haegue Yang: The exhibition at Tate St Ives [set to reopen after the national COVID-19 lockdown] brings together existing works with new pieces inspired by my visits to Cornwall in 2018-19. Drying racks, light bulbs, cable, zip ties, terminal strips. With additional support from Kvadrat, Tate Members and Tate St Ives Members. For a few days Haegue Yang will be appearing in the performance space of the Tate Modern Tanks. Powder-coated steel frame, powder-coated mesh, powder-coated handles, casters, copper plated bells, metal rings, plastic twine, 216 x 125 x 125 cm. But by now, my tired brain cannot decide if this installation is weird or wonderful. Supported by Henry Moore Foundation and Institut für Auslandsbeziehungen. Purchase, with funds from Eleanor and Francis Shen, the David Yuile and Mary Elizabeth Hodgson Fund, Women’s Art Initiative, the Janet and Michael Scott Fund, the Contemporary Circle Fund, the Ivey … This one reminds me of the cavemen – the wonderfully named Slag Brothers - whose whirling, spindly legs powered their basic, stone-age automobile in Hanna-Barbera’s iconic 1960s cartoon Wacky Races. Haegue Yang is a South Korean artist working largely in performance and video art. Strange Attractors addresses the context of St Ives and its relationship to modernism by bringing three artistic figures together. The materiality and aesthetics of her work are derived from her inventive methods, from using industrial and everyday materials to labour-intensive and craft-based procedures that create creature-like sculptures. Haegue Yang is a South Korean artist working largely in performance and video art. The Intermediate – Tilted Bushy Lumpy Bumpy, 2016. Haegue Yang: The exhibition at Tate St Ives [set to reopen after the national COVID-19 lockdown] brings together existing works with new pieces inspired by my visits to Cornwall in 2018-19. Barlow says: “She really thought of this space as an entire universe: it’s all been very tightly conceived as is Hague’s way. Sonic Intermediate – Parameters and Unknowns after Hepworth 216 x 125 x 125 cm. 180 x 95 x 95 cm. Humour is a major thread throughout Yang’s work. Haegue Yang: Strange Attractors is curated by Anne Barlow, Director of Tate St Ives, with Assistant Curator Giles Jackson. Photo: Nick Ash. The architectural wall surfaces are also treated in three different modes: wallpapered, patterned with door knobs, and empty. by Carla Cugini, Cologne 2018. art at MMCA & Tate Modern. Artificial straw, powder-coated steel frame, powder-coated mesh, casters. The Cornish landscape and its ancient archaeological heritage are important points of inspiration. Photo: Studio Haegue Yang. It will be accompanied by a catalogue published by Tate Publishing and designed by Berlin-based Studio Manuel Raeder, as well as a programme of talks and events in the gallery. The Cornish landscape and its ancient archaeological heritage are important points of inspiration. The Intermediate – Tilted Bushy Lumpy Bumpy 2016. Nov 2,2019-Apr 5,2020. Artificial straw, powder-coated steel frame, powder-coated mesh, casters, 203 x 120 x 120 cm. From Haegue Yang's immersive installations to Zanele Muholi's powerful portraits, we're excited for our upcoming show openings! Tate St Ives 24 October 2020 – 3 May 2021. by VERONICA SIMPSON. She is a Professor at the Staedelschule in Frankfurt am Main. Making Doha at National Museum of Qatar 2019. Supported by Henry Moore Foundation and Institut für Auslandsbeziehungen. Opening up sightlines across the room, the permeable wall structures articulate the entire gallery space and cut a diagonal passageway across the centre, where Sonic Half Moons encased with patterns of nickel and brass plated bells are suspended. Haegue Yang Tate St Ives – Strange Attractions. Photo: Roger Sinek © Tate Liverpool. “These are scenes that might conjure up the landscape around here, but they are also universal. 01736 796226. I have encountered the work of Yang (b1971) once before, at her South London Gallery show in 2019, but, still, the first impact is intense: my eyes - and mind - balk at the sight of a hundred bright, shiny door handles of polished chrome and brass fastened across two of the large, white gallery walls. by Yilmaz Dziewior, Cologne 2018. The Intermediate – Airflow of Pyramid Winnow 2015. 1971, South Korea) lives and works in Berlin and Seoul. Made from artificial woven straw, The Intermediates allude to both traditional arts and crafts … Yang is renowned for creating immersive environments from a diverse range of materials. It will be accompanied by a catalogue published by Tate Publishing and designed by Berlin-based Studio Manuel Raeder, as well as a programme of talks and events in the gallery. Haegue Yang creates installations that include photographic, video, and sculptural elements and are informed by the artist’s philosophical and political investigations. Copyright © 1893–2021 Studio International Foundation. But Yang’s sculptural response to Li is a more cuddly, tufty-eared, furry-faced, squat figure, constructed of red bells and black synthetic straw; if anything, it reminds me of one of the Star Wars franchise’s most lovable creatures, the Ewok. Ultimately nature has more control over humanity, as we’re seeing time and time again.”. The perforation of these walls is based on a traditional geometric ‘whirlwind’ textile pattern from the Philippines. 4 minutes read. Haegue Yang: Strange Attractors is curated by Anne Barlow, Director of Tate St Ives, with Assistant Curator Giles Jackson. “Some people might think it’s a direct reference to Cornwall, but it isn’t,” says Barlow. This is the first exhibition at Tate St Ives to take place across both the award-winning top-lit gallery in the new building and the spectacular sea-facing gallery in the original building. Born in South Korea in 1971, Haegue Yang is based in Berlin and Seoul and teaches at the Städelschule in Frankfurt am Main. The exhibition’s title – Strange Attractors – is a concept taken from mathematics and relates to complex patterns of behaviour in chaotic natural systems. Major exhibition of existing and new work by South Korean artist Haegue Yang, renowned for her vast and non-binary artistic languages. Major exhibition of existing and new work by South Korean artist Haegue Yang, renowned for her vast and non-binary artistic languages.The materiality and aesthetics of her work are derived from her inventive methods, from using industrial and everyday materials to labour-intensive and craft-based procedures that create creature-like sculptures. 1971, Seoul) consistent curiosity about the world and tireless experimentation with materializing the complexity of identities in flux. Mundus Cushion – Yielding X incorporates Yang’s variations on ‘church kneelers’ – traditionally depicting religious symbols – which Yang has abstracted into her own unique explorations of the sacred and the secular. Courtesy of the artist. Those unfamiliar with the Berlin-based, South Korean artist’s work might experience a moment of panic – a realisation that, whatever cultural encounter is being laid before your startled eyes, you don’t speak this language; followed by a frantic recalibration of visual and associative sensibilities. 03/11/2020 2020, Artists, Exhibitions & Galleries, Uncategorized Alan Beckett. Monographs, Artists’ Books and Exhibition Catalogs (chronological-alphabetical) 2018 Beautiful World, Where Are You?, ed. But the real reason Li is here is because his participatory, multidisciplinary, playful and cosmologically oriented practice resonates strongly with Yang’s. The First 50 Years of the London Group 1913-1963 Read more on My Art Guides Words by Jessica-Christin Hametner. Why are they there? To enter the main gallery of Haegue Yang’s three-room exhibition at Tate St Ives is to encounter an alien landscape. Created specifically for the digital space, the exhibition confronts the realities and tensions between our private selves and our online personas. Photo: Nick Ash. Her sculptures and installations often use industrially made objects, interwoven with labour-intensive and craft-based processes. Living between Seoul and Berlin, Yang employs industrially produced quotidian items, digital processes, and labor-intensive craft techniques. It is surely no accident that these earlier Intermediates evoke the spirit costumes of eastern Europe and Africa - the masked Kukeri of Bulgaria, for example, or Benin Voodoo ritual dancers. haegue yang. Porthmeor Beach, St Ives, Cornwall, TR26 1TG . Room 32 – the largest and one of the most visited rooms of the National Gallery displaying 17th-century Italian paintings by artists including Caravaggio, Artemisia and Orazio Gentileschi, Guido Reni and Guercino – will reopen with an enriched re-hang in July 2020 after a 21-month refurbishment. Her sculptures and installations often use industrially made objects, interwoven with labour-intensive and craft-based processes. Six of Yang’s Sonic Half Moons (2014-15), complete with drooping, bell-strung tendrils, rise up to the ceiling between and around these frames, their physical placement and context giving them a half-celestial, half-aquatic, drifting quality (apparently the gallery assistants will give them a spin now and again, so their delightful tinkling skirts can be heard and seen, spinning around). Photo: Taipei Fine Arts Museum ... Tate St Ives . The generation of botherment and bewilderment in the viewer is part of Yang’s practice, too, says Barlow, and an aspect of which she approves: “I like the idea that you have to work to make those connections.”, Sarah Wood – interview: ‘At the moment we all want to gather around stories, so I think art is going to be quite important in the future and I hope we value it’, Young Poland: The Polish Arts and Crafts Movement, 1890-1918 – book review, Jim Dine – interview: ‘I never stop looking. This autumn Tate St Ives will stage Strange Attractors, the UK’s largest exhibition to date by celebrated South Korean artist Haegue Yang. It’s like a duvet, it wraps around you, and you’re lost in it’, Natacha Nisic – interview: ‘We needed a place for free expression, a visibility, a female presence’. haegue yang - strange attractors tate st ives october 24, 2020 – may 3, 2021. Liverpool Biennial, Liverpool 2018. At the press view, the laundry-ready racks were still being adorned with the specified, serpentine coils of thick, white lighting cables to which bulbs will be attached. As is evident from the title of her Tilted Bush Lumpy Bumpy (2016) character, an earlier Intermediate, and one of three arranged deeper into the main gallery. Courtesy of Galerie Barbara Wien, Berlin. Wilhelmina Barns-Graham: In Perspective – The Late Works Making Doha at National Museum of Qatar 2019. Haegue Yang, Woven Currents – Confluence of Parallels, 2020.Aluminum venetian blinds, powder-coated aluminum hanging structure, steel wire rope, LED tubes, cable. The show coincides with the 65th anniversary year of the launch of Britain’s pioneering National Health Service in 1948. This autumn, the Tate St Ives will host Strange Attractors by celebrated South Korean artist Haegue Yang. Industrial materials with sound and light is an exhibition running haegue yang tate 2020 - May 2021 and! 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